Skip to content
KCWM Music

KCWM Music

Featuring the DMCA-Free Rock of KCWM & Cold the Winter

  • Home
  • DMCA-Free Music
    • KCWM
    • Cold the Winter
  • Blog
  • The Gear
    • Guitars
      • 1986 Squier Contemporary Series Stratocaster
      • 1992 Fender Telecaster
      • 2006 Squier Vintage Modified Telecaster Custom I
      • 2009 PRS SC245 Ted McCarty
      • 2011 Taylor SB1-X
      • 2017 Gibson Les Paul Classic
    • Bass
      • 2022 Squier Classic Vibe Late ’60s Jazz Bass
    • Amps
      • Dr. Z Maz 18 Jr.
      • Friedman PT-20 v2 Head & Cab
      • Fender Rumble Studio 40
    • Pedals
    • Gear of the Past
      • Guitars of the Past
        • 197x Session Les Paul Custom Copy
        • 2022 Squier Classic Vibe ’60s Stratocaster
        • 200X Squier ’51
        • 2021 Epiphone ES339
        • 2012 Gibson Les Paul Traditional
      • Amps of the Past
        • 1978 Fender Vibro Champ
        • Egnater Tweaker 15 Head and Cab
        • Fender Princeton Reverb
      • Pedals From the Past
        • Eventide H9 Max/Core
        • JHS Muffaletta
        • JHS Sweet Tea v3
        • Zvex Distortron
      • 2018 Fender P-Bass Special FSR
  • The Recording Process
  • D&D
    • My D&D Story
  • Contact
  • Toggle search form
  • A Revolving Door of Guitars Guitars
  • My Guitar Amp Journey Amplifiers
  • A Nostalgic Purchase: MIJ Squier Contemporary Stratocaster Gear Talk
  • Two New Songs for July 2023 DMCA-Free music
  • Creativity, Balance, and Burn Out DMCA-Free music
  • New DMCA-Free Rock Music Coming in May 2023 KCWM
  • A New Song for a New Album KCWM
  • New and Sold Guitars Guitars

To Friends Who’ve Said Goodbye – New Upcoming Single

Posted on May 23, 2023May 23, 2023 By kcwm No Comments on To Friends Who’ve Said Goodbye – New Upcoming Single

It’s not much of a stretch to say that I’ve been in a music funk for the better part of a year. I’ve been experiencing some significant “imposter syndrome” when it comes to the music I write, and it’s seeped into the cracks that were already showing in my drive to get back into releasing music again. While I’ve started the process of putting new music together, I derail myself more often than I see something through to completion.

“To Friends Who’ve Said Goodbye”

https://kcwmmusic.com/wp-content/uploads/2023/05/To-Friends-Whove-Said-Goodbye-1st-mix.mp3

 

In April of 2023, we had to euthanize our 15-year old Tortie, Frau. For years now, we’d say “Frau’s a friend” (because who doesn’t love alliteration), but I was Frau’s person. She showed affection to my wife, but she’d follow me around like a dog might…never wanting affection, but always craving companionship. We’d realized that she’d lost a lot of weight and enough behavioral changes led us to take her to the vet. We expected her to have thyroid issues, but we received the shock that she had cancer on her heart and a large mass in her abdomen. They told us we might have a month. We had five days.

Just before this, a friend I’d met through the primary Twitch community I’d been a part of posted that she had to put one of her cats to sleep after he’d become ill rather suddenly. Shortly after Frau passed, a friend I went to high school with also had to put an older family pet to sleep. While pets from three separate households, it was tough to know people I know were going through the same loss that my family was.

As has been the story of my life, I turned to music to serve as an outlet for my grief. “TFWSG” came together rather quickly and I immediately thought it’d be a fitting tribute to the furry friends the people in my relatively small circle had lost. It’s the only one of the 3.5 songs that I’ve actually fleshed out into a 2+ minute song, and has become the first song to be released for whatever this next album will be called. I’m not sure if I’m going to stick with the “Volume” theme, especially as I remix and release the previous songs into two albums instead of three.

There are parts that need to do be redone, but the audio above gives a pretty good indication of where the songs going to finish up.

It was the first time in the past year that music just happened with relative ease. A the same time, it got me to thinking about how many songs I’ve started and given up on. In that time. I’ve written a total of 3.5 songs, including “TFWSG”.

Let’s take a quick look at the other 2.5 members of this little group:

The Theme Song

After six years of using the previous theme song I’d written, a friend asked me to write a new theme song for his podcast. He listened back to the songs I’ve released under KCWM and asked for something that had bits of “All the Feels” and “The Original”. I sent him some basic ideas that I’d quickly written on my acoustic, he picked the one he liked, and I knocked it out. It was a pretty quick process…maybe a few hours. I mean, it’s a 45-50 second song (hence the .5 in the 3.5 songs I’ve written), so it makes sense that it’d come together quickly. I suppose the “glass half-full” part of me should say, “Don’t dismiss the fact that you came up with, fleshed out, and recorded the song in a short time simply because it ended up being short. That was the plan”, but the other part of my mind simply rejects that idea.

I recently went back to try and flesh that song to a good two and a half minutes, hit a wall, and gave up. OK, so that last bit is 100% on me, but that’s where I was at creatively, and likely where I’m still at. I feel like I have to find my songwriting legs again before I can go back to it. Maybe it’s the fact that it leans heavily into the pop-punk genre that I’m an absolute fraud at when it comes to writing. I should probably circle back around to it, but for now, that’s simmering on the back burner of my mind.

A New Song for Low-Fi, Nice Try

My friends and I recorded an EP for their band back in 2017. It was a great experiencing adding to the songs my friends had written, even if I feel like some of the parts I wrote haven’t aged as well as others. The recording process was so much fun, but the end result was a mixed bag. While I’m happy with the songs (with the exception of the aforementioned parts), I’m not happy with the quality of the recordings. It was a learning process, but I feel like I’ve come quite a way from what we learned from that process.

It’s six years later and those guys have been putting songs together for a new EP or LP. This time, as a member of the band, I wanted to contribute songs. If I recall, the writing process for the song I’m contributing was one of the last streams I did on Twitch and I recall I struggled a bit. Eventually, the song came together and I’m actually quite happy with it. I threw together a second guitar part for it, but held off on properly recording a clean version with that part because I want my friend to come up with a vocal part and then write the second guitar part around it.

Incomplete Rock

Between Volume Three and releasing the single, “Go On”, I wrote a number of songs on my acoustic guitar that I intended to turn into KCWM songs. These were different than all of the other KCWM songs that started with drums first. I’ve found that writing guitar parts to drums is considerably easier than arranging drums to existing guitar/vocal parts.

Even though “The Original” and “Too Cold” existed as songs prior to their release, they didn’t get considered for release on Volume Three until I’d arranged drums that just happened to work with them. Now that I think about it, the pre-chorus for “The Original” took a lot of editing and adding to make it work, and that didn’t even happen without input from JD, one of the members of the aforementioned Low-Fi, Nice Try.

“Fire Intro Song” was one of the songs that started on my acoustic, and it took me far longer than I’d like to admit to get that right, and part of my crazy brain would argue that it’s still far from right. Out of the eight songs I wrote during that time, I put together drums for two others: one I called “Drop D Twiddle” and another called “E Walkdown”. While both songs will actually see release along with “Friends Who’ve Said Goodbye”, there’s been hesitation on fleshing them out.

For a while, I lost interest in the music I’d written for “E Walkdown” and I wrote this new song that fit the drums, recorded a rhythm part that I sat on for a few days, and abandoned when I went back to listen to it a few days later. It was garbage.

I went back to “E Walkdown”, broke it down to be two different guitar parts, recorded the rhythm part, and learned that it separating it didn’t work as well as I thought. I then decided to write a new 2nd guitar part and, though it needed shaping up, I really liked what I came up with. It definitely has what I identify as my “style”. I labeled it “Incomplete Rock” in the Google Drive folder that I have for a small circle of folks to listen to, and there it’s sat. I will get back around to it.


I need to keep up the momentum I feel I’ve started with “TFWSG”. With Toontrack releasing EZKeys 2, the push to include more piano in my songs, or even add piano driven songs, was a bit of motivation I was waiting for. It released on May 16th, and I only just installed it yesterday, May 22nd. Once I wrap up “TFWSG”, I need to get right into writing the next song so that I can keep moving forward instead of stagnating like I have for the past year.

 

 

DMCA-Free music, KCWM, Uncategorized, Volume Four Tags:90s music, 90s rock, alternative rock, dmca free music, guitar, guitar rock, kcwm, rock, rock music, songwriting

Post navigation

Previous Post: Creativity, Balance, and Burn Out
Next Post: Two New Songs for July 2023

Related Posts

  • KCWM Music and Some Thoughts KCWM
  • “Go On” Volume Four
  • A New Song for a New Album KCWM
  • kcwm: Volume Three KCWM
  • Two New Songs On the Horizon KCWM
  • “It Feels Familiar” Volume Four

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Instagram

kcwm_

kcwm_

It has come time to part ways with one of the cool It has come time to part ways with one of the coolest Muff-based fuzzes I’ve ever played: the Blackout Effectors Musket, which is the right side of this pedal, the Twosome. 

You might question what a Muff fuzz is, and if you’re a non-guitarist/musician, I point you to Smashing Pumpkins’ album Siamese Dream, notably “Today” and “Cherub Rock”. 

Fuzzes have been used for a long time and the Electro Harmoniz Big Muff is one of the most well known. 

However, this allows me to bring other fuzz sounds into my bag of tricks and that makes me excited.
Gear that came and went in 2023: Pedal Edition (ma Gear that came and went in 2023: Pedal Edition (maybe pt. 1)

There might have been more. I’ll have to check an Imgur folder

• Jet Pedals Lion 
• Lovepedal Echo Plexi (traded toward Friedman PT-20 v2 head/cab
• Emerson Paramount (traded toward Friedman PT-20 v2 head/cab
• Line 6 HX Stomp + extension pedal (traded for Crate Palomino v16 and cash)
• TC Electronic Sub n Up (came in 2022)
• Boss DS-1
• Old Blood Noise Endeavors Float
• Kelley Katana Mini Boost
• Ibanez TS-9 Tubescreamer (traded for Katana Mini Boost)
• Barber Gain Changer (traded for Bearfoot FX Honeybee X)
• Jackson Audio Broken Arrow v1 (traded for Fulltone Fulldrive 2)
• Line 6 Helix LT

Gone but not pictured:
• JHS Buffered Splitter (traded for Tubescreamer)
• Fulltone Fulldrive 2 (traded for Emerson Les Paul Harness)

Bought and returned:

• Used Jackson Audio Asabi (defective)
• New Jackson Audio Asabi (gain was not useful)
•Jackson Audio Golden Boy mini

The Lion, Float, Paramount, and DS-1 were taken in as trade for the light blue tele in my recent guitar post 

I’ll probably think of a couple more I missed because I don’t still have the pictures of them, or never took pictures because I never posted them for sale. 

#guitar #guitarpedals #pedals
@bugdayband It’s glorious @bugdayband It’s glorious
@teresa.aldaco, ignore this post. I was going th @teresa.aldaco, ignore this post. 

I was going through my photos today and saw a number of guitars and pedals that I’ve sold/traded or bought in 2023. 

These are 10 of the guitars that came into and left my possession in 2023.

• 2016 Fender Chris Shiflett Telecaster Deluxe
• 2019 Gibson Les Paul Tribute DC
• 2021 Squier 40th Anniversary Jazzmaster, Vintage Edition
• Partscaster Tele
• 2021 Sterling Avis AX3FM
• 2022 Gibson Les Paul Traditional Pro V Satin
• 2007 Epiphone “1966”  G-400 SG
• LTD M-1000 with HetSet EMG (can’t remember the year)
• 1970s Session Les Paul Custom Copy
• 1997 Squier Affinity Strat (this year was one of the first years of the Affinity models)

I also sold or traded:

2022 Squier Classic Vibe ‘60s Strat
2018 Fender P-Bass Deluxe FSR
2012 Gibson Les Paul Traditional 

There might be one or two more I’m forgetting about. I also have a few that are waiting to be listed for sale too. 

It’s been a bit crazy, and 2024 is off to a start of its own. 

#guitar
Out getting into some Christmas Mischief and neede Out getting into some Christmas Mischief and needed some background music. It’s a good choice of good music. 

Finding new music from half the country (or world) away, or even right next door, is one of the best things about the internet and social media. Without it, I’d have never found bands like @bugdayband, No More Kings, @zwetschconnor, @clinically.sane.band, the musicians I’ve met and talked to, or people wouldn’t have found my music. 

Seek out new music. Don’t stay stuck in your music habits for too long like I too often do. I do love me some ‘90s rock, but I needed to move beyond what gets played on Lithium. 

Finding that new song that gives you chills with a lyric, when the distortion kicks in, a transition between section, or opening chord is never a disappointing feeling. 

It’s not 2024 yet, but we don’t have to wait to make a resolution to find and embrace new music by artists we might never have found if it weren’t for our friends, or an algorithm, saying “hey, check this out”.
Well, no surprise that I’m my #1 listened to ban Well, no surprise that I’m my #1 listened to band. Olivia Rodrigo and Taylor Swift are due to my kid, but @bugdayband ranking up there with Pearl Jam is good stuff. You should check them out. 

#spotifywrapped #kcwmmusic #rock
Grayson, aka Buddy aka Buh aka Bubs, is our sole r Grayson, aka Buddy aka Buh aka Bubs, is our sole remaining cat after all three of our senior cats succumbed to complications of their age. 

He’s a good companion and has become extra clingy since Mike’s passing in September. He sleeps with us at night and responds to “Want to get some food and go to sleep?”

He really is the best buh. 

#grayson #graycatsofinstagram #cats #catsofinstagram #graycats
Five or six years ago, I bought a Gibson Les Paul Five or six years ago, I bought a Gibson Les Paul Classic in green oceanburst. After a setup from @bigjohnsguitars it played how I’ve always wanted a Les Paul to play. 

After the honeymoon phase was over, and after recording some tracks, I wasn’t happy with the sound. It was very dark and muddy. John helped me install some new pickups, but the problem persisted. 

I eventually met and talked to the guy who runs @wtonesupply and we talked pickups. I dropped my Les Paul off and he got to work winding me some of his pickups. 

We made the trip out to Allen (which is why we ate at Portillos) to pick it up last night and I finally got a good chance to put some time into playing it. 

Problem solved. 

Our original plan deviated a bit once he had the guitar  but the choices he made has proven to be the remedy it needed. Plus, the covers he used look slick! 

With a trade finding a new home for the guitar that displaced this one as my go-to Les Paul, it’s nice to have this back in its rightful place. I can’t wait to record a song or two with it real soon. 

Finding good folks that do even better work has been something I’m very thankful for. Those individuals and the many conversations I’ve had and work they’ve done for me is something I hope every musician can experience.
It’s a @bugdayband kind of day. You should make It’s a @bugdayband kind of day. You should make it a Bug Day kind of day too. Because #guitar #altrock is good for the soul.
Remixing the first 7 songs from Volumes One and Tw Remixing the first 7 songs from Volumes One and Two is coming along. 

Some songs sound better after the first attempt, some require a tweak or two, and others require whole new parts be recorded. 

I still need to re-record “Octivation”, “Lost It All In Factory”, and “Let’s Get Behind Them” for different reasons. 

I’ve learned a lot between the beginning of this whole process and now, and you can hear the difference in the originals vs. the remix. 

Want access to listen to the remixes? DM me and let’s talk about it. I’d love to talk about the process and hear your feedback.
During the 9/13 @pearljam show, we were treated to During the 9/13 @pearljam show, we were treated to Eddie Vedder dressed up as a mirrorball and a story behind the jacket and helmet for “Wishlist”. I recorded very little during the show, but him spinning around was too good to pass up. I tried to catch it on the big screen but only caught a moment of it.
I worked out two separate trades on Sunday that in I worked out two separate trades on Sunday that involved a #strat as part of the deal. Funny thing is that the #stratocaster is not my favorite type of guitar to play, but both were interesting. This doubled the number of strats I have.

1) The red #Fender is made up of parts from Fender guitars, but I do not believe that any parts are from the same guitar. 

• The body is refinished matte red with some roadworn-ish type relicing, which is just gold underneath...maybe the original color?

• Fender Vintage Noiseless pickups with a Clapton mid-boost mod. It sounds really good. 

• Neck is from a 2013 MIM Floyd Rose Fender. It's a really nice, comfortable neck. 

• Thick solid steel block. It has excellent sustain

If I keep this one, it will get some Fender Locking Tuners

2) The black one is a #Squier Affinity Strat, but it's not a normal Affinity. It's a 1997 model, the first year they offered the Affinity line and it's a full-sized, hardwood (likely Alder) body with a 22-fret rosewood neck. It's a pretty nice neck, especially for a Squier. 

It's hefty for a strat too...it's not light like so many of the Squier Affinity line. Having that full-sized body adds some weight. 

The pickups leave a bit to be desired, which is par for the course with the Affinity line, but this guitar would make a great modding platform for someone interested in doing so. 

Heck, if that red one hadn't come through and I didn't already have two other nice strats (both Squiers, interestingly), I'd likely look to make some modifications.

----

In the end, I will take time to consider whether I like the red partscaster or my Squier Classic Vibe '60s strat more. Whichever one wins gets the Vintage Noiseless. Clapton mod, and stainless steel block (as long as it fits the Squier). 

I have some decisions to make.
New upgrade for KCWM music purposes. Next recordin New upgrade for KCWM music purposes. Next recordings will feature this 2004 Dr. Z Maz 18 Jr. 

#NAD #newampday #drz #maz18 #guitar #guitaramps
Back in '95, my grandmother bought my first real e Back in '95, my grandmother bought my first real electric guitar from a pawn shop in the small town I grew up in. I think we paid $85 for it with a hard case. 

I played that guitar a lot, its pictured with me in the Jazz Band photo from my junior year (covered in a ton of stickers...so classy), and I recorded songs with it. 

When the electronics started to die, I wasn't as knowledgeable in what could be repaired and I junked it. I sold the parts and moved on. It wasn't until years later that I realized what I'd given up and I've often priced them, but never pulled the trigger. 

Yesterday (7/19/23), this popped up on Facebook Marketplace from a local shop. At first, I thought it was interesting and didn't intend on buying it, but after giving it some thought, I went and did just that. 

This was a bit of a nostalgic purchase. If I named my guitars, this one would be called Dot or Syb (short for Sybil), after my grandmother.

This Squier Contemporary Strat (27-6800) was made from '84 - '87 in Japan. From the info I've gathered online, it's a 24.75" scale instead of the normal 25.5" Fender Scale. The pickups each have an on/off switch so you can turn all three on at the same time, and the humbucker has an on/off/coil-tap switch. The tuners are Fender-branded Gotoh. 

It has some definite wear and tear, but I don't care. 

You'll definitely be hearing this on some upcoming songs, as I intend for it to split time with the tele I use for lead parts, as I did with the modified Squier '51 it's replacing did. 

Anyone in the DFW area looking for a cool modified Squier '51? 

#guitar #fender #squier #stratocaster #strat #fenderjapan #mij #ssh #rock #kcwmmusic #dmcafreemusic #dmcafreerock #nostalgia
I need to clean up my desk a bit more but I just r I need to clean up my desk a bit more but I just replaced my two 1440p monitors with this 34” ultra wide. I’m able to see every track on the mixer of Studio One 5 and so much of Superior Drummer 3. It’s so awesome.
Load More Follow on Instagram

Copyright © 2025 KCWM Music.

Powered by PressBook News Dark theme