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A Nostalgic Purchase: MIJ Squier Contemporary Stratocaster

Posted on July 21, 2023September 26, 2024 By kcwm 1 Comment on A Nostalgic Purchase: MIJ Squier Contemporary Stratocaster

A silver Squier Contemporary Stratocaster

Say what you will about a Stratocaster, but one cannot deny that they come in all sorts of configurations. I had the chance to buy a twin of my first guitar. Let’s get into my thoughts about this process.

My First Guitar

When I talk about the journey of owning guitars, I jokingly say I’ve had three first guitars:

• My first acoustic: a “lawsuit” Takamine that belonged to my uncle before he died. This was a hand-me-down.
• My first electric: a 3/4 size Memphis S-style guitar with a humbucker of some kind. I didn’t choose it.
• My first “real” electric: a MIJ Squier Stratocaster. This guitar is the one I call my “first guitar”. I chose it.

The Takamine was stolen out of my mother’s car. I sold the Memphis to the kid that lived behind me. The Squier would be played for years until its pickups started to fail. I eventually took it apart with the hopes of refinishing it but sold the pieces. Mistakes were made, but I didn’t know then what I know now. That would be one of the bigger guitar regrets I have.

The Squier Stratocaster

That Squier was unique among the Stratocasters I’ve owned because of it’s control setup. Most Strats have three knobs and a selector switch. This one has two knobs (a volume and a tone) and an independent switch for each pickup. The neck and middle pickup switches are on/off and the bridge is on/off/coil tap. This gives the option of selecting the neck/bridge or all three at the same time. The Mexican-made Deluxe Player Stratocaster has a button that could be pressed to allow the same thing.

It was also silver, which isn’t as common of a color. My original guitar showed wear that revealed the numerous colors the guitar had been before silver. That guitar, which my grandmother also bought it for me, was a big part of my formative years.

An E-series Stratocaster isn’t exactly a hot commodity, but they’re well thought of, which is fair to say about the Japanese-made Squiers from the ’80s. According to a Serial Number dating site, the E-series strats with the E+6 digit format were made from ’84 to ’87. I always assumed my original guitar was an ’85 because of the E+5XXXXX it had, but who knows, right?

Over the years, I’ve checked into the prices of them on eBay and Reverb, but they never really stuck around for very long or were out of my budget at the time. I never saw another silver one pop up though.

A Second Chance?

This story is further complicated by seemingly unrelated fact that I recently brought home a guitar from Big John’s queue. I’d wanted to reconnect with it as an alternative to the Tele that I almost always use. The connection I’d felt to it from before just wasn’t there. Don’t get me wrong, it played GREAT, but the sound wasn’t killing it for me like it had done during the honeymoon period. The thought of selling it was already on my mind.

I checked through Facebook Marketplace to get a ballpark to list the guitar at, I saw a listing for the twin of my first guitar. There were zero intentions of buying it when I texted my wife a picture. It was simply an interesting happenstance…the same exact guitar, in the same color, AND it was local. Then, as soon as I texted her that I was just looking at it, the ’51 came to mind and I thought, “I could sell it, maybe sell a pedal or two, and pick this one up”. Well, once I set my mind on something…

For the most part, my wife has a “one comes in, one goes out” rule, though not always in that order, and I was happy to comply with that. I called the shop that had posted it, confirmed they still had it, and off I went. They brought it out, I plugged it in, got it working, and played it for about five minutes. I bought it. Obviously, otherwise there wouldn’t be a post, right?

The Root of My Strat Issue?

After doing a bit of Googling, I learned a couple of interesting bits about this model from this site

  1. it’s a 24.75″ scale instead of the normal 25.5″ scale Fender uses
  2. the particular model (27-6800) came in black, red, and white

I’ve owned a number of strats, always loving the sound but not how they played. They never lived up to my original guitar. I’d say it’s the tummy cut, but the 24.75″ scale appears to be a big factor. I mean Teles are 25.5″ scale too but I don’t have an issue with them. I’ve always preferred how a Les Paul felt, so after all these years, I might have figured out my complicated relationship with Stratocasters

Also, if they didn’t come in Silver, that means that someone had to have painted both of these Silver. Now, that site does say “since 1987” so it’s possible they WERE offered in silver before ’87, but I’ve never seen another silver one pop up during previous searches

Final Thoughts

This purchase is the first time in a long time that I’ve been truly excited about. I feel like this might be the universe giving 44 year old me the chance to appreciate something I didn’t when I was younger.

I’ll be honest, the guitar needs a little bit of work. The jack has a short and the treble side of the neck feels off. The pickups aren’t the loudest I’ve owned, but I raised up the humbucker and that seemed to help quite a bit. These are all easy fixes. The switches and knobs are quiet, it doesn’t have any unexpected noise, and the neck plays well. It will serve well as alternate lead guitar AND as a nice rhythm choice as well.

I don’t name guitars, and I don’t plan to officially start, but if I were to name guitars, this one would be Dot, or maybe Syb (short for Sybil), after my grandmother, Dorothy.

Gear Talk, Guitars

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It has come time to part ways with one of the cool It has come time to part ways with one of the coolest Muff-based fuzzes I’ve ever played: the Blackout Effectors Musket, which is the right side of this pedal, the Twosome. 

You might question what a Muff fuzz is, and if you’re a non-guitarist/musician, I point you to Smashing Pumpkins’ album Siamese Dream, notably “Today” and “Cherub Rock”. 

Fuzzes have been used for a long time and the Electro Harmoniz Big Muff is one of the most well known. 

However, this allows me to bring other fuzz sounds into my bag of tricks and that makes me excited.
Gear that came and went in 2023: Pedal Edition (ma Gear that came and went in 2023: Pedal Edition (maybe pt. 1)

There might have been more. I’ll have to check an Imgur folder

• Jet Pedals Lion 
• Lovepedal Echo Plexi (traded toward Friedman PT-20 v2 head/cab
• Emerson Paramount (traded toward Friedman PT-20 v2 head/cab
• Line 6 HX Stomp + extension pedal (traded for Crate Palomino v16 and cash)
• TC Electronic Sub n Up (came in 2022)
• Boss DS-1
• Old Blood Noise Endeavors Float
• Kelley Katana Mini Boost
• Ibanez TS-9 Tubescreamer (traded for Katana Mini Boost)
• Barber Gain Changer (traded for Bearfoot FX Honeybee X)
• Jackson Audio Broken Arrow v1 (traded for Fulltone Fulldrive 2)
• Line 6 Helix LT

Gone but not pictured:
• JHS Buffered Splitter (traded for Tubescreamer)
• Fulltone Fulldrive 2 (traded for Emerson Les Paul Harness)

Bought and returned:

• Used Jackson Audio Asabi (defective)
• New Jackson Audio Asabi (gain was not useful)
•Jackson Audio Golden Boy mini

The Lion, Float, Paramount, and DS-1 were taken in as trade for the light blue tele in my recent guitar post 

I’ll probably think of a couple more I missed because I don’t still have the pictures of them, or never took pictures because I never posted them for sale. 

#guitar #guitarpedals #pedals
@bugdayband It’s glorious @bugdayband It’s glorious
@teresa.aldaco, ignore this post. I was going th @teresa.aldaco, ignore this post. 

I was going through my photos today and saw a number of guitars and pedals that I’ve sold/traded or bought in 2023. 

These are 10 of the guitars that came into and left my possession in 2023.

• 2016 Fender Chris Shiflett Telecaster Deluxe
• 2019 Gibson Les Paul Tribute DC
• 2021 Squier 40th Anniversary Jazzmaster, Vintage Edition
• Partscaster Tele
• 2021 Sterling Avis AX3FM
• 2022 Gibson Les Paul Traditional Pro V Satin
• 2007 Epiphone “1966”  G-400 SG
• LTD M-1000 with HetSet EMG (can’t remember the year)
• 1970s Session Les Paul Custom Copy
• 1997 Squier Affinity Strat (this year was one of the first years of the Affinity models)

I also sold or traded:

2022 Squier Classic Vibe ‘60s Strat
2018 Fender P-Bass Deluxe FSR
2012 Gibson Les Paul Traditional 

There might be one or two more I’m forgetting about. I also have a few that are waiting to be listed for sale too. 

It’s been a bit crazy, and 2024 is off to a start of its own. 

#guitar
Out getting into some Christmas Mischief and neede Out getting into some Christmas Mischief and needed some background music. It’s a good choice of good music. 

Finding new music from half the country (or world) away, or even right next door, is one of the best things about the internet and social media. Without it, I’d have never found bands like @bugdayband, No More Kings, @zwetschconnor, @clinically.sane.band, the musicians I’ve met and talked to, or people wouldn’t have found my music. 

Seek out new music. Don’t stay stuck in your music habits for too long like I too often do. I do love me some ‘90s rock, but I needed to move beyond what gets played on Lithium. 

Finding that new song that gives you chills with a lyric, when the distortion kicks in, a transition between section, or opening chord is never a disappointing feeling. 

It’s not 2024 yet, but we don’t have to wait to make a resolution to find and embrace new music by artists we might never have found if it weren’t for our friends, or an algorithm, saying “hey, check this out”.
Well, no surprise that I’m my #1 listened to ban Well, no surprise that I’m my #1 listened to band. Olivia Rodrigo and Taylor Swift are due to my kid, but @bugdayband ranking up there with Pearl Jam is good stuff. You should check them out. 

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He’s a good companion and has become extra clingy since Mike’s passing in September. He sleeps with us at night and responds to “Want to get some food and go to sleep?”

He really is the best buh. 

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Five or six years ago, I bought a Gibson Les Paul Five or six years ago, I bought a Gibson Les Paul Classic in green oceanburst. After a setup from @bigjohnsguitars it played how I’ve always wanted a Les Paul to play. 

After the honeymoon phase was over, and after recording some tracks, I wasn’t happy with the sound. It was very dark and muddy. John helped me install some new pickups, but the problem persisted. 

I eventually met and talked to the guy who runs @wtonesupply and we talked pickups. I dropped my Les Paul off and he got to work winding me some of his pickups. 

We made the trip out to Allen (which is why we ate at Portillos) to pick it up last night and I finally got a good chance to put some time into playing it. 

Problem solved. 

Our original plan deviated a bit once he had the guitar  but the choices he made has proven to be the remedy it needed. Plus, the covers he used look slick! 

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Finding good folks that do even better work has been something I’m very thankful for. Those individuals and the many conversations I’ve had and work they’ve done for me is something I hope every musician can experience.
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Some songs sound better after the first attempt, some require a tweak or two, and others require whole new parts be recorded. 

I still need to re-record “Octivation”, “Lost It All In Factory”, and “Let’s Get Behind Them” for different reasons. 

I’ve learned a lot between the beginning of this whole process and now, and you can hear the difference in the originals vs. the remix. 

Want access to listen to the remixes? DM me and let’s talk about it. I’d love to talk about the process and hear your feedback.
During the 9/13 @pearljam show, we were treated to During the 9/13 @pearljam show, we were treated to Eddie Vedder dressed up as a mirrorball and a story behind the jacket and helmet for “Wishlist”. I recorded very little during the show, but him spinning around was too good to pass up. I tried to catch it on the big screen but only caught a moment of it.
I worked out two separate trades on Sunday that in I worked out two separate trades on Sunday that involved a #strat as part of the deal. Funny thing is that the #stratocaster is not my favorite type of guitar to play, but both were interesting. This doubled the number of strats I have.

1) The red #Fender is made up of parts from Fender guitars, but I do not believe that any parts are from the same guitar. 

• The body is refinished matte red with some roadworn-ish type relicing, which is just gold underneath...maybe the original color?

• Fender Vintage Noiseless pickups with a Clapton mid-boost mod. It sounds really good. 

• Neck is from a 2013 MIM Floyd Rose Fender. It's a really nice, comfortable neck. 

• Thick solid steel block. It has excellent sustain

If I keep this one, it will get some Fender Locking Tuners

2) The black one is a #Squier Affinity Strat, but it's not a normal Affinity. It's a 1997 model, the first year they offered the Affinity line and it's a full-sized, hardwood (likely Alder) body with a 22-fret rosewood neck. It's a pretty nice neck, especially for a Squier. 

It's hefty for a strat too...it's not light like so many of the Squier Affinity line. Having that full-sized body adds some weight. 

The pickups leave a bit to be desired, which is par for the course with the Affinity line, but this guitar would make a great modding platform for someone interested in doing so. 

Heck, if that red one hadn't come through and I didn't already have two other nice strats (both Squiers, interestingly), I'd likely look to make some modifications.

----

In the end, I will take time to consider whether I like the red partscaster or my Squier Classic Vibe '60s strat more. Whichever one wins gets the Vintage Noiseless. Clapton mod, and stainless steel block (as long as it fits the Squier). 

I have some decisions to make.
New upgrade for KCWM music purposes. Next recordin New upgrade for KCWM music purposes. Next recordings will feature this 2004 Dr. Z Maz 18 Jr. 

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Back in '95, my grandmother bought my first real e Back in '95, my grandmother bought my first real electric guitar from a pawn shop in the small town I grew up in. I think we paid $85 for it with a hard case. 

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Yesterday (7/19/23), this popped up on Facebook Marketplace from a local shop. At first, I thought it was interesting and didn't intend on buying it, but after giving it some thought, I went and did just that. 

This was a bit of a nostalgic purchase. If I named my guitars, this one would be called Dot or Syb (short for Sybil), after my grandmother.

This Squier Contemporary Strat (27-6800) was made from '84 - '87 in Japan. From the info I've gathered online, it's a 24.75" scale instead of the normal 25.5" Fender Scale. The pickups each have an on/off switch so you can turn all three on at the same time, and the humbucker has an on/off/coil-tap switch. The tuners are Fender-branded Gotoh. 

It has some definite wear and tear, but I don't care. 

You'll definitely be hearing this on some upcoming songs, as I intend for it to split time with the tele I use for lead parts, as I did with the modified Squier '51 it's replacing did. 

Anyone in the DFW area looking for a cool modified Squier '51? 

#guitar #fender #squier #stratocaster #strat #fenderjapan #mij #ssh #rock #kcwmmusic #dmcafreemusic #dmcafreerock #nostalgia
I need to clean up my desk a bit more but I just r I need to clean up my desk a bit more but I just replaced my two 1440p monitors with this 34” ultra wide. I’m able to see every track on the mixer of Studio One 5 and so much of Superior Drummer 3. It’s so awesome.
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